If you’ve ever been to Goodreads–or, failing that, Amazon–to check out reviews for a book, you already know how hyperbolic and cruel some of the so-called “feedback” can be. Here, let me go to a book and pull some excerpts (if you think I need to make this part up, hi! Welcome to the world of online reviews):
“This has to be the worst pile of crap I’ve EVER had the displeasure of reading. I honestly don’t know how this shit even got bought by a publisher!”
“Do not waste your life on this horrible book.”
“This was an absolute trainwreck. Not even fun, just… bad.”
No, I’m not going to tell you which book they’re talking about, because that’s not the point.
Now, it would be a lie to say that I’ve loved every book I’ve ever read, or even that I haven’t had thoughts like these about stories I’ve read. But if there’s one thing that’s true about the anonymity keyboards grant you, it’s that you lose empathy for those whom your words affect. I know that most of these people leaving these comments, if they were actually acquainted with the author, would not say these things to their face. The cult of online bullying and bandwagoning doesn’t stop in gradeschool–it just takes on a different name.
Good or bad, novels are artistic expression, and acknowledging that I’m not referring to books that are bigoted or problematic in one way or another, I think book review etiquette needs to take a good, hard look at itself. It’s easy to attack someone’s efforts if you think poorly of their work–but that effort came from someone, and that person might not be in the best headspace when they happen to read a review that says “Do not waste your life on this horrible book.”
However! Reviews are incredibly necessary and valuable in our industry. Some authors genuinely want constructive feedback about their work from readers, and will understand their pitfalls in stride. That’s why I’ve created an easy 3-step guide for critically reviewing ANY book, regardless of how much you enjoyed it.
How to Write a Sensitive Review
- State what the author did well. Acknowledgments are incredibly important to start with–the author needs to know what their strong points were. Perhaps the dialogue was pretty punchy? Maybe the imagery shined, or the pacing was really good? If you make it clear that you’re being reasonable and fair in your feedback, people will take the rest of your review to heart, including the author. This is a great way to slip in compliments and gush about stuff that resonated with you.
- State what needed work, or what bothered you. Once you’ve pointed out the things that were done well, now you can mention things that didn’t meet your expectations. This is where you can mention that you thought that one subplot was unnecessary, or that you didn’t like the way the story seemed to spoon-feed the reader things that they’d already found out 50 pages ago. Be honest with your criticisms, but also be kind. How would you want someone to say this to you if it were about your work?
- Re-state the positives, and potentially mention who should read this book while keeping in mind your criticisms. I usually end my reviews on recommendations, and it’s perfectly fine to add qualifiers like “if you aren’t bothered by [criticism], this is for you!” Because everyone is different, and someone out there will enjoy it.
“But Verb,” you say, scoffing, “who made you the monarch of critique etiquette?”
I DID. BY GOING THROUGH FIVE YEARS OF ART SCHOOL WITH NEAR-DAILY IN-PERSON CLASS CRITIQUES. There’s a pattern to this–there’s a way to say what you need to without harming the person behind the work, and I think everyone who likes to review should try it.
“Fuck you Verb,” I hope none of you say, flipping me off, “I just really enjoy being abrasive and blunt! The author got paid one way or another, so I’m just being honest–it’s fun!”
Oh, cool then! Thanks for reading, Regina George.